Dirty Harry x The Dark Knight

Because he’s the hero Gotham deserves, but not the one it needs right now.

So we’ll hunt him. Because he can take it. Because he’s not our hero. 



He’s a silent guardian, a watchful protector.

A Dark Knight
— Commissioner Gordon

I’m not the first to compare Christopher Nolan’s The Dark Knight (2008) with Don Siegel’s Dirty Harry (1971), but I thought the world needed an edit to put it to the test.

Obviously, they are not identical films, with The Dark Knight having many more characters and plot lines threading throughout, in addition to some of the best action sequences ever filmed. Dirty Harry is more down to earth, in that respect, but this doesn’t take away from some of those core similarities, in addition to specific scenes or shots that are remarkably similar. Whether by design or by accident, there are clear parallels with these two films. 

We all know Nolan has mentioned Mann’s HEAT (1995) as a distinct influence on The Dark Knight, that is felt in the tonal execution, the cinematography, and of course the opening bank heist by The Joker, (and William Fichtner). I can also see how Nolan took the idea of sharing a film between two leads and how De Niro’s Neil McCauley and Pacino’s Vincent Hannah get ported over to Ledger’s Joker and Bale’s Batman (or even Eckhart’s Dent). 

Coming back to Dirty Harry,  the themes of police corruption, morality, vigilantism, escalation and a psychopathic antagonist terrorising a city are shared between the two. 

Escalation is a theme that continues more deeply into Dirty Harry’s sequel, Magnum Force (1973), where a rogue police unit, seemingly inspired by Harry Callahan’s perceived approach to take the law into his own hands, decide to gun down any criminal (or cop) who’s inconvenient to their world view. Escalation is mentioned by Gary Oldman’s Lieutenant Gordon at the end of Batman Begins (2005), the fact that Batman exists almost gives birth to the Joker, much like how Scorpio is a reflection of Dirty Harry’s existence. 

It was so fun to edit two of my favourites, and each discovery of a parallel or similarity just made me love them more. So many shots couldn’t squeeze into 68 seconds, so I’ll upload some ‘deleted scenes’ as GIFs to my site.

You either die a hero or you live long enough to see yourself become the villain.
— Harvey Dent

Extra Scenes

Anora (2024) - Vibes

Sean Baker has spoken about some of his influences that went into the melting pot that became the Academy Award-winning Anora. I immediately felt the unbridled kinetic chaos of the Safdie’s Uncut Gems (2019), merged with the obvious plot similarities to Garry Marshall’s Pretty Woman (1990). I also felt that the middle section of Anora, with her capture by the Russians, had a pandemonium similar to the scene where Steve Buscemi and Peter Stormare’s hoods kidnap Jean Lundegaard in Joel and Ethan Coen’s Fargo (1996).

After watching Anora and doing my usual deep dive reading about it, post-watch, it was fascinating to hear Baker’s influences, from a range of incredible filmmakers. After watching those, and seeing some clear visual similarities, in addition to aspects of story, character and attitude, I wanted to create a short edit combining the influences Baker spoke of, in combination with ones I felt the film reflected, so more of a ‘vibe’ edit, than pure influences.

Set to The Weeknd’s The Morning, (taken from the club scene in Uncut Gems, where he performs the song live), the lyrics are a suitable conduit to Anora:

All that money, the money is the motive
All that money, the money is the motive
All that money, the money she be foldin'
Girl, put in work, girl, girl, put in work
Girl, put in work, girl, girl, put in work
Girl, put in work


Films featured:

Anora - Sean Baker (2024)
Nights of Cabiria - Federico Fellini (1957)
Le Mépris / Contempt - Jean-Luc Godard (1963)
The French Connection - William Friedkin (1971)
Vampiros Lesbos - Jesús Franco (1971)

Pretty Woman - Garry Marshall (1990)
Uncut Gems - Josh and Benny Safdie (2019)
Fargo - Joel and Ethan Coen (1996)

SINNERS (2025) - Musician Montage

I loved Sinners, and was especially left in awe at ‘that scene’. The lethal combo of someone who loves Cinema and Blues, sitting in the BFI IMAX and having that scene wash over me, made me feel like I’d left my body. 

I wanted to make a supercut of some of my favourite artists to Ludwig Göransson’s track ‘I Lied To You/Magic What We Do (Surreal Montage)’. Hats off to Coogler and all involved, this is what cinema is about. 👏

Artists Featured

  • The Jimi Hendrix Experience - Foxey Lady (Live In Maui, 1970)

  • Freddie King - Have You Ever Loved A Woman

  • B. B. King - The Thrill Is Gone. New York 1971

  • Albert King  - Don't Burn Down the Bridge - The Midnight Special

  • Stevie Ray Vaughan & Double Trouble - Voodoo Chile - Live Austin City Limits 1989

  • Prince - Purple Rain Live at Super Bowl XLI 

  • RUN DMC - Rock Box (Official Video)

  • The Payback - James Brown - Live - Zaire 1974

  • Big Bill Broonzy - Hey Hey - Low Light and Blue Smoke - Belgium 1956

  • Eric Gales - Voodoo Child-Kashmir-Back in Black-Für Elise (Beethoven) (Live at the 2017 DIGF)

  • Jay-Z reacting to Timbaland’s beats that went on to form Dirt Off Your Shoulder

  • Howlin' Wolf - Down In The Bottom (Live)

  • Muddy Waters, The Rolling Stones - Hoochie Coochie Man (Live) 1981

  • Jerry Lee Lewis - Great Balls of Fire (Jamboree, 1957)

  • Chuck Berry & Bo Diddley Together LIVE

  • John Lee Hooker - Boom Boom from "The Blues Brothers" 1980 (with Jake & Elwood taking it all in)

  • Buddy Guy - with Eric Clapton, Richie Sambora & All Star Band - Sweet Home Chicago (NYC 1990)

  • B.B. King, James Brown, Bobby Bland - Blues medley

  • Muddy Waters & The Band - Mannish Boy - Live San Francisco '76 from The Last Waltz

  • Miles Davis - Burn at Amnesty International 1986 with Carlos Santana, Robben Ford, Bob Berg

  • Dr Dre featuring Snoop Doggy Dogg - Nuthin' But A "G" Thang 

  • RUN DMC - Rock Box (Official Video)

  • Eminem - Business - Live At Detroit 2002

  • Kendrick Lamar - Not Like Us - Super Bowl LIX Halftime Show

  • Ray Charles - Moanin’- Live in Brazil 1963

  • Buddy Guy and Eric Clapton  - Wanna Make Love To You - Ronnie Scott's (1986)

  • Chuck Berry & Keith Richards - Little Queenie - Hail! Hail! Rock 'N' Roll (1987)

  • Buddy Guy - Mary Had A Little Lamb - with Jack Bruce and Buddy Miles (1969)

  • The Jimi Hendrix Experience - Wild Thing (1967) (Monterey Pop Festival)

Try and see this film on the biggest screen you can manage, IMAX 70mm FTW